Category: New Orleans

Q. Tell me a little about Doorman Designs and how you got started?

A. I founded Doorman Designs two years ago after graduating from college in Mississippi and returning to Louisiana and a job in New Orleans.  Limited by a dismal post-graduate budget, I desired to furnish my 1880s apartment with furniture that embodied the charm and grit of the Crescent City.  So, I decided to start making my own pieces. My first creation: a headboard crafted from an old growth cypress, five panel door salvaged from house flooded in Hurricane Katrina. I inlaid the panels with ornate, 19^th century ceiling tins to give the piece more character and history.

From there I started to make and sell more headboards and eventually began designing lighting, coffee, and dining room tables.  The materials I use are architectural salvage with an emphasis on reclaimed wood from New Orleans homes destroyed or damaged by Katrina. Growing up on the Gulf Coast, I know how much history is to be found in New Orleans’ architectural details. After Katrina, my heart broke seeing the city’s soul, flooded and ruined, and being torn down. I’d like to think that I’m keeping those stories alive through my designs and furniture.

Q. When you are looking for inspiration where do you head?

A. Right now I’m drawing a lot inspiration from two different eras of design-1950-1960s modern design and also French colonial style. These are two completely different styles but they both seem to agree that more is not more when it comes to the details of the furniture. Both looks rely on the simplicity and functionality of the furniture to make a statement and allow the material that they’re made of to create the furniture’s personality. I appreciate the refined, and sometimes primitive approach. And even better, these styles work great in almost any type of architecture and can be mixed in with an eclectic blend.

Outside of furniture I draw a lot of inspiration from folk art. I’d like to think this style of art is no longer conceived as a hooky, cliché depiction of rural country life. But instead, it’s a bit abstract, a bit modern, and has a very simplistic reality that a lot people can relate to. A lot of folk art has this layer of grit to it that I really gravitate towards. It appreciates imperfections and I try to emulate that gritty vibe by using reclaimed, weathered materials that have lots of patina to it.

Q. What role does New Orleans play in the pieces you create?

Q. Do you have any advice for young designers/artist trying to make their dreams a reality?

A. Sure, no one can ever question your motives or personality if you’re being authentic. It’s that simple. As humans we all have this internal sensor that says “you’re not good enough” or “no body will like what you’re doing”, “you suck”. I like to think of that sensor as a screen on a computer that you can minimize and make go away. I named my sensor Rex (get it? he Rex things) and every time he shows up, I try to minimize him back below. My best advice is to not let our sensors get in the way of our authenticity. If that sensor weren’t there, what’s the absolute best design or creation you could imagine in your head?

Thanks Alex for sharing your story! Be sure to check out more of Alex’s work at DoormanDesigns.com and follow along on Facebook 

 *Photos a mixture of my own and from DoormanDesigns.com